Friday 25th June 2010

Gestation: 39 weeks

One year ago.

Tonight is a full moon.

Well, that’s not entirely true.  Technically, the moon is full between 8.10am and 3.30pm tomorrow.   But unless we want to perform our ‘Ritual for Fertility’ under the searing sun in the middle of the day, we need to do it tonight or tomorrow.  And tonight is our last night on the island.

So we decide to do it tonight.

After dinner, we head back to our beachfront bure and get the things ready.  The ritual came packed in a cardboard box with a curved lid;  like a disposable coffin for a rat.  Inside it sit two candles, a small bottle of oil, a sewing needle, a bell, some horsetail herb, some stallion hair, and a piece of rose quartz.  All on a cushion of hay bale.

There is no way this little baby is getting back in through customs.

Suse picks up the box and turns to me.

“Do you think I’m crazy for bringing this?”

“Not for bringing this,” I reply, by now my standard answer.  She smiles.  “Honestly, I’m happy to give it a go, honey.  After everything that’s happened, I’m happy to give anything a go.”

 

* * * * *

We prepare in silence.  Suse finds a plate for the oil, setting everything out just right, while I visit reception for a lighter.  We take our little rat coffin, and a sarong, and we head out into the evening air.

Malolo Lalai is the closest of a chain of islands known as the Mamanucas, which sit to the east of Viti Levu, the main island of Fiji.  A number of films have been made in the area, including ‘Castaway’ and ‘The Blue Lagoon’.  It is the epitome of a tropical oasis.  As we walk along the beach tonight, I can’t help but feel like we are in a sound stage.  There air utterly still, the water laps quietly at our feet as if the ocean motor has been turned down to low, and the lone palm tree – the one from my runs – leans out at an impossibly sweeping angle, appearing to be too perfect, too flawless, as if made of papier-mâché.  This evening it is very warm;  the heater has been left on high.  As I look up, I realise that there is a thick cloud covering the entire sky, blanketing us in.

“I can’t see the moon, honey.”

“That’s okay,” Suse says, slinging an arm over my shoulder, “it’ll arrive just in time for the ceremony.”

I keep looking up.

“It’s dense,” I say frowning, “there’s no break in sight.

She grabs me by the hands, swinging me so I face her.

“There will be,” she says.

And I believe her.

* * * * *

We sit in the sand, just beneath the palm.  Its leaves sway softly, a hint of air now beginning to move.  We plant the candles in the sand, and sit cross-legged, opposite each other.

I take the piece of paper and unfold it, happy to be in charge of the instructions, feeling comfortable in this role.

I can do instructions.  They’ve never freaked me out.

So I take my place, looking down at the piece of paper.  I squint hard.

“It’s too dark under that thick cloud,” I say frustratedly.

“Have you got your phone?”

“Yep.”

“Use it as a torch.”

As I fish around in my pocket, suddenly the words light up.  I look above to see realise that the moon has crept out into a clearing;  the only clearing in the entire sky.

I just nod, as I clear my throat.

I no longer question my wife’s intuition.

“Circle of divine light be around me,” I say.

“Circle of divine light be around me,” Suse repeats.

“Spirits of the air whisper to the sky.”

“Spirits of the air whisper to the sky,” she repeats.

“And to all that bears fruit.”

“And to all that bears fruit.”

“Ask Mother Earth to hear me.”

“Ask Mother Earth to hear me.”

We take the oil and pour it into the bowl.  In turn, we inhale the aroma.  We strip off our top halves.  I take the bowl, dipping my fingers in the oil, anointing Suse below her belly button, over her heart, on her throat, across her forehead, and on her crown.  She repeats the process with me.

She then takes the green candle, carving a star into it, symbolising surrender to the spiritual realm.  She draws a ring of oil around its centre, and then she replants it in the sand.  She goes to light it, but as she does, a gust of breeze comes up, blowing out the flame.  She closes her eyes for a moment, and tries again.  From this point on, the air is still.

Just like that, the sound stage fans are off.

 

* * * * *

Suse rings the bell.  The overhead lights are dialled up, as the moon emerges into full view, illuminating all below.

She then takes the orange candle.  Into it, she carves the symbol of Ceres, the Greek Goddess of harvest.  She also covers this in oil, and lights it, before again planting it in the sand.

The wind remains off.

I hand her the horsetail hair and the stallion hair. She takes the first in one hand, and the second in the other.

And then we complete the incantation.

Call me superstitious, call me weird, call me whatever you want – but it feels to me like transcribing what we said in the final part of the incantation ain’t that smart.  I’m not sure exactly what we’re dealing with here.   And, as we’re not pregnant as I write this, I’m simply not going to jinx it.

Suffice to say that we both said that we’re ready and waiting.

Which we are.

And like I said, call me weird all you want.

I just want a kid.

 

* * * * *

As we finish, at the exact moment that we are complete, the wind picks up, blowing both candles out.  And just a few second later, the moon falls back in behind the clouds, completely blanketed once more.

“Look at that,” I say.

“Just like I said,” says my bride.

She strips off her bottom half, and walks slowly towards the water.  I follow her, taking her hand as we walk happily into the shallows.

And there we ablute, in the bath-warm water, on this perfect sound stage in the South Pacific.

 

* * * * *